First artist on the production, in charge of the Frontier Environment. Research, style guides, tech development, pre-production, production of critical assets and leadership of a team of 12. Worked on press demos, E3 and milestone demos.
Assassin's Creed III -Lead Artist
First artist on the production, in charge of the Frontier Environment. Research, style guides, tech development, pre-production, production of critical assets and leadership of a team of 12. Worked on press demos, E3 and milestone demos.
Splinter Cell Conviction -Senior Env. Artist
Worked on this level (White Box Laboratories) as the main level artist from conception to debug. Unprocessed screenshots taken by ingame cam.
War Photographer -Personal Work
Wanted to teach myself character modeling, anatomy and sculpting because I took on a lot of character reel direction at Vanarts. Lighting-wise, I wanted to go for a Carravagio, chiaroscuro type of values. Also inspired by Apocalypse Now.
Lighting reference guides
First guide was created for the 2nd term Environment modelling and Lighting class I teach. Second guide for the War Photographer project.
Fifa Street 2 -Lighting Artist
Did lighting (First pass baked, then everything hand painted) on these levels, some of the texturing (pitch textures, buildings, objects) and modeled props and buildings. I chipped in texturing and modelling on a couple other levels. I also worked with the lighting director, creating styleguides. 
SSX on Tour -Lighting Artist
Lighting on 5 levels (Baked Lightmaps and Vertex Color) and helped test and troubleshoot the tools being developped. 
Sketches
We started a sketch group at work, 2 drawings per weeks on given themes Here`s some of them
"Self-portrait as an animal"
"Secret Nazi war machines"
"Bio-Mechanical power plant"
Art Collaborations
Autographic's Technoir Classics albumArtwork for 2007 collective Artshow "Ordinary"
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